L'ENCINÉMATHÈQUE
Encyclopédie illustrée du cinéma au xxe siècle…
Encyclopédie illustrée du cinéma au xxe siècle…
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| Interprétations | ||||
|---|---|---|---|---|
| An | - | Titre | 🖯 | 🖯 |
| 1936 | - | BELOVED ENEMY (L'ennemie bien-aimée) |  |  |
| 1937 | - | YOU ONLY LIVE ONCE (J'ai le droit de vivre) | |  |
| 1937 | - | SHALL WE DANCE (L'entreprenant Mr.Petrov) | | |
| 1937 | - | NEW FACES OF 1937 | | |
| 1937 | - | VOGUES OF 1938 (Vogues 38) | | |
| 1937 | - | THE HURRICANE | | |
| 1937 | - | GOLDWYN FOLLIES (Hollywood en folie) | | |
| 1938 | - | THERE's ALWAYS A WOMAN (Miss catastrophe) | | |
| 1939 | - | ST. LOUIS BLUES | | |
| 1939 | - | THE SAINT STRIKES BACK | | |
| 1939 | - | EAST SIDE OF HEAVEN | | |
| 1939 | - | THE GRACIE ALLEN MURDER CASE d'Alfred E.GREEN | ||
| 1939 | - | SHE MARRIED A COP de Sidney SALKOW | ||
| 1939 | - | THE OLD MAID (La vieille fille) | | |
| 1940 | - | CASTLE ON THE HUDSON (Le château de l'angoisse) | | |
| 1940 | - | FRAMED | | |
| 1940 | - | MA! HE's MAKING EYES AT ME! de Harold D.SCHUSTER | | |
| 1940 | - | TORRID ZONE | | |
| 1940 | - | CITY FOR CONQUEST (Ville conquise) | | |
| 1940 | - | MEET THE WILDCAT | | |
| 1940 | - | MELODY RANCH | | |
| 1940 | - | VICTORY | | |
| 1940 | - | HIGH SIERRA (La grande évasion) | | |
| 1941 | - | THE ROUND UP | | |
| 1941 | - | THE GREAT LIE (Le grand mensonge) | | |
| 1941 | - | AFFECTIONATELY YOURS | | |
| 1941 | - | TOO MANY BLONDES de Thornton FREELAND | ||
| 1941 | - | OUT OF THE FOG | | |
| 1941 | - | KISSES FOR BREAKFAST | | |
| 1941 | - | KISS THE BOYS GOODBYE (Vedette à tout prix) | | |
| 1941 | - | ONE FOOT IN HEAVEN | | |
| 1941 | - | THE MALTESE FALCON (Le faucon maltais) | | |
| 1941 | - | THE BUGLE SOUNDS | | |
| 1941 | - | A GENTLEMAN AT HEART, de Ray McCAREY | ||
| 1942 | - | FRISCO LIL d'Erle C.KENTON | | |
| 1942 | - | THE GIRL FROM ALASKA de Nick GRINDE | ||
| 1942 | - | MOONTIDE (La péniche de l'amour) | | |
| 1942 | - | THRU DIFFERENT EYES, de Thomas Z.LORING de Thomas Z.LORING | ||
| 1942 | - | STREET OF CHANCE | | |
| 1942 | - | WHO DONE IT? (Deux nigauds détectives) | | |
| 1943 | - | NO PLACE FOR A LADY de James P.HOGAN | | |
| 1943 | - | LADIES' DAY, de Leslie GOODWINS de Leslie GOODWINS | ||
| 1943 | - | MISSION TO MOSCOW [Non crédité] | | |
| 1943 | - | SILVER SPURS | | |
| 1943 | - | FIND THE BLACKMAILER de D.Ross LEDERMAN | | |
| 1943 | - | THE SONG OF BERNADETTE (Le chant de Bernadette) | | |
| 1944 | - | Mr.SKEFFINGTON (Femme aimée est toujours jolie) | | |
| 1944 | - | SOUTH OF DIXIE de Jean YARBROUGH | ||
| 1944 | - | CRIME BY NIGHT | | |
| 1944 | - | GUEST IN THE HOUSE | | |
| 1945 | - | FOG ISLAND | | |
| 1945 | - | THE CRIME DOCTOR's COURAGE | | |
| 1945 | - | BLONDE RANSOM de William BEAUDINE | | |
| 1945 | - | HITCHHIKE TO HAPPINESS | | |
| 1945 | - | DIVORCE de William NIGH | ||
| 1945 | - | GETTING GERTIE's GARTER d'Allan DWAN | | |
| 1945 | - | MY REPUTATION (Le droit d'aimer) | | |
| 1946 | - | DEADLINE AT DAWN | | |
| 1946 | - | CLAUDIA AND DAVID | | |
| 1946 | - | THE KID FROM BROOKLYN (Le laitier de Brooklyn) | | |
| 1946 | - | NIGHT IN PARADISE | | |
| 1946 | - | ONE EXCITING WEEK de William BEAUDINE | | |
| 1946 | - | Mr.ACE | | |
| 1946 | - | BLONDIE's BIG MOMENT [Non crédité] | | |
| 1946 | - | THE PERFECT MARRIAGE | | |
| 1947 | - | UNFAITHFUL (L'infidèle) | | |
| 1947 | - | MIRACLE ON 34th STREET (Le miracle de la 34ème rue) | | |
| 1947 | - | RIFFRAFF | | |
| 1947 | - | CRY WOLF (Le loup des sept collines) | | |
| 1947 | - | DRIFTWOOD (Jenny et son chien) | | |
| 1947 | - | DANGEROUS YEARS | | |
| 1947 | - | BLONDIE's ANNIVERSARY d'Abby BERLIN | | |
| 1948 | - | BLONDIE's REWARD d'Abby BERLIN | | |
| 1948 | - | WALLFLOWER | | |
| 1948 | - | NIGHT HAS A THOUSAND EYES (Les yeux de la nuit) | | |
| 1948 | - | JUNE BRIDE (La mariée du dimanche) | | |
| 1948 | - | BLONDIE's SECRET d'Edward BERNDS | | |
| 1948 | - | THE FOUNTAINHEAD (Le rebelle) | | |
| 1949 | - | BLONDIE's BIG DEAL d'Edward BERNDS | | |
| 1949 | - | THE GIRL FROM JONES BEACH | | |
| 1949 | - | SCENE OF THE CRIME (La scène du crime) | | |
| 1949 | - | BLONDIE HITS THE JACKPOT d'Edward BERNDS | | |
| 1949 | - | ALWAYS LEAVE THEM LAUGHING | | |
| 1950 | - | YOUNG MAN WITH A HORN / YOUNG MAN OF MUSIC (La femme aux chimères) | | |
| 1950 | - | PEGGY (Le tournoi de la rose) | | |
| 1950 | - | WHEN YOU'RE SMILING | | |
| 1950 | - | THE FULLER BRUSH GIRL (En plein cirage) | | |
| 1950 | - | THE WEST POINT STORY / FINE AND DANDY (Les cadets de West Point) | | |
| 1950 | - | DALLAS (Dallas, ville frontière) | | |
| 1950 | - | THE FAT MAN | | |
| 1951 | - | CRIMINAL LAWYER | | |
| 1951 | - | DISC JOCKEY | | |
| 1953 | - | THE SYSTEM de Lewis SEILER | | |
| 1959 | - | VISIT TO A SMALL PLANET (Mince de planète) | | |
| 1960 | - | PRIVATE PROPERTY (Propriété privée) de Leslie STEVENS | ||
| 1961 | - | ALL IN A NIGHT's WORK (Il a suffi d'une nuit) | | |
| 1961 | - | POCKETFUL OF MIRACLES (Milliardaire pour un jour) | | |
| 1963 | - | CRITIC's CHOICE | | |
| 1963 | - | THE BLACK ZOO (Les fauves meurtriers) | | |
| 1964 | - | THE PATSY (Jerry souffre-douleur) | | |
| 1965 | - | JOHN GOLDFARB, PLEASE COME HOME! (L'encombrant Monsieur John) | | |
| 1966 | - | FRANKIE AND JOHNNY (Une rousse qui porte bonheur) | | |
| 1966 | - | PENELOPE (Les plaisirs de Pénélope) | | |
| 1967 | - | THE GNOME MOBILE | | |
| 1969 | - | THE COMIC | | |
105 Titres